{"id":1116,"date":"2025-11-24T21:18:18","date_gmt":"2025-11-24T20:18:18","guid":{"rendered":"https:\/\/martaweglinska.pl\/?page_id=1116"},"modified":"2026-02-02T19:02:25","modified_gmt":"2026-02-02T18:02:25","slug":"sen-na-jawie-uziemienie","status":"publish","type":"page","link":"https:\/\/martaweglinska.pl\/en\/sen-na-jawie-uziemienie\/","title":{"rendered":"Daydream (grounding)"},"content":{"rendered":"
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\n\t\tDaydream (grounding)\t<\/h2>\n\t\t\t

series of paintings, watercolors on paper and cotton paper, various formats - approx. 55x75 cm, from 2021 to present; works based on field research and queries<\/span><\/i><\/p>

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The starting point for the project is the need for multidimensional, physical, and mindful contact with the natural environment.<\/b>In my paintings, I depict nature both as a real space and as a set of close connections and processes. I create visual, metaphorical <\/span>representations showing nature as a dynamic system<\/b> of constantly changing biological, geological, and cultural relationships. <\/span>The series of paintings <\/span>Daydream (grounding)<\/span><\/i> is based on field research and bibliographic and archival queries.<\/span><\/p>

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Field research and deep experience of the landscape<\/b><\/p>

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The basis for the project is field trips, mainly to protected and environmentally valuable areas (forest ecosystems, wetlands, trough lakes, mountain and karst landscapes), and studies of cultural ways of understanding and representing nature. In my understanding, <\/span>g\u0142\u0119bokie<\/span><\/i> deep experience of nature<\/span><\/i> is primarily a long-term presence in the field and meticulous observation, but also somatic practices (qigong and meditation).\u00a0<\/span><\/p>

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Selected locations - places that are special to me -become inspirations and subjects for my paintings. I treat my work on a painting as a curved extension - an extension of my presence in the landscape. For me, the painting process is a form of meditation with a place.<\/span><\/p>

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Nature as an active entity<\/b><\/p>

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The axis of the cycle is the fully sensual, physical, and spiritual relationship between humans and nature.<\/b> I treat the landscape and its components - water, soil, rocks, vegetation, animals, air - as entities rather than background. I present nature as a dynamic, active, multi-element, complex superorganism. I draw attention to the forces that shape space - the destructive and creative activities of the elements and living organisms, the processes of matter circulation, erosion, growth, and decay.\u00a0<\/span><\/p>

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The body as part of the ecosystem<\/b><\/p>

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I treat the human figure appearing in my paintings as part of the landscape. Man immerses himself in his surroundings, intertwining seamlessly with vegetation, water, and rocks, subject to the same mechanisms that shape the terrain. Physical closeness, touch, and intimacy, both in relation to other people and to the matter of the landscape, become a way of regaining a sense of belonging to the non-human world.<\/span><\/p>

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Microcosm and macrocosm, a body borrowed from the cosmos<\/b><\/p>

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An important theme present in the series of paintings is the idea of microcosm and macrocosm, present in ancient cosmologies and belief systems. Elements of the landscape function in direct juxtaposition with the human body, suggesting the existence of analogous laws governing the organic, geological, and cosmic worlds. References to mythology, ancient nature cults, and pre-modern ways of thinking about the relationship between humans and the earth inscribe the works in a reflection on the lost continuity between culture and nature.<\/span><\/p>

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\u2191 <\/span>Daydream (grounding) #17<\/b><\/p>

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watercolor on cotton paper, 42x27.7cm, 2025<\/p>

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Water and wetlands are among the places where archaeological research is conducted. Wetlands, and especially peat bogs, are incredible archives in themselves, storing vast amounts of data.<\/span><\/p>

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A woman reaches for a vessel that floats on the water like a water lily. Water can be a mirror that hides everything we conceal or that is inaccessible to us, subconscious.<\/span><\/p>

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The ceramics and objects shown in the painting were found in various locations in present-day Poland.<\/span><\/p>

The painting depicts the wetlands of the Drawa National Park.<\/span><\/p><\/div>\n\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u2191<\/span>Daydream (grounding) #16. <\/b>Roots embedded in the landscape<\/b><\/p>

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watercolor on cotton paper, 42x27.7cm, 2025<\/p>

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A painting emphasizing the inseparability of man and nature. <\/span>The work depicts the wetlands of the Drawski Landscape Park. <\/span><\/p><\/div>\n\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u2191 <\/span>Daydream (grounding) #15. The snake that turned to stone<\/b><\/p>

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watercolor on cotton paper, 55x75 cm, 2025<\/span><\/i><\/p>

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A painting inspired by the symbolism of the snake in various cultures (the snake as the soul, the snake as a sage) and the cyclical nature and constant change present in the natural environment. The painting depicts the Romanka Reserve in the Beskid \u017bywiecki mountains.<\/span><\/p><\/div>\n\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u2191 <\/span>Daydream (grounding) #14<\/b><\/p>

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watercolor on cotton paper, 55x75 cm, 2024<\/span><\/i><\/p>

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A painting inspired by \u201cGody\/Dziady \u017bywieckie\u201d - a tradition from the Beskids Mountins. Folk time is spiral. The end of the year is the end of time. The end is seen as a transformation. \u201cDziady\u201d is therefore an element and a power - it is a ritual that guarantees prosperity and ushers in a time of rebirth. The whip and the blue and red figure at the bottom of the painting originate from \u201cDziady.\u201d In this tradition, the cracking of the whip symbolizes the end and the beginning.<\/span><\/p>

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The painting depicts the Pilsko Nature Reserve in the Beskid \u017bywiecki mountains.<\/span><\/p><\/div>\n\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u2191 <\/span><\/p>

Daydream (grounding) #13, Lucifera - carrying fire<\/b><\/p>

Daydream (grounding) #12, Carrying water<\/b><\/p>

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watercolor on cotton paper, 55x75 cm, 2024<\/span><\/i><\/p>

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Two paintings related to the Ku\u017anik Nature Reserve (near Pi\u0142a) - with varied terrain, peat bog lakes, and a trough lake surrounded <\/span>by steep hills.\nThe works were created based on the meanings associated with the elements of water and fire.<\/span><\/p><\/div>\n\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u2191<\/span><\/p>

Daydream (grounding) #11<\/b><\/p>

Daydream (grounding) #10, Roots\u00a0<\/b><\/p>

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watercolor on cotton paper, 55x75 cm, 2023<\/span><\/i><\/p>

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Two paintings inspired by peat bogs, wild streams, and above all, the \u017babnik Valley Nature Reserve (Silesian Province). The fauna of peat bogs and floodplains is closely intertwined with water. Vast expanses of moss become carpets soaked with water, temporarily creating new, unstable lands. They are overgrown with more plants. The relationships between water, vegetation, and soil, the constant struggle of the elements, are likened here to romantic relationships.<\/p><\/div>\n\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u2191 <\/span>Daydream (grounding) #09<\/b><\/p>

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The painting depicts plants with delicate and rather unusual forms found in Poland: spiked speedwell, globe orchid, globe speedwell, Pomeranian honeysuckle, soft-leaved speedwell, pink wheatgrass, and comb wheatgrass. The concept refers to Eastern traditions, where different colored lotus flowers are assigned to chakras. In the painting, I replaced the lotus flowers with local plants, which, when viewed up close, can be perceived as miniature, complete universes.\u00a0<\/span><\/p><\/div>\n\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u2191<\/span><\/p>

Daydream (grounding) #08\u00a0<\/b><\/p>

Daydream (grounding) #07<\/b><\/p>

\u00a0<\/p>

watercolor on cotton paper, 55x75 cm, 2023<\/span><\/i><\/p>

\u00a0<\/p>

Dwa obrazy inspirowane W\u0105wozem Stradlina - bocznym odga\u0142\u0119zieniem Doliny Rac\u0142awki (Rezerwat Dolina Rac\u0142awki). W\u0105w\u00f3z posiada interesuj\u0105ce ods\u0142oni\u0119cia ska\u0142, uk\u0142adaj\u0105cych\r\n <\/span>si\u0119 jak wachlarz. Teren ten zmienia si\u0119 bardzo dynamicznie, gdy\u017c jego dnem okresowo p\u0142ynie woda - przesuwaj\u0105c pot\u0119\u017cne g\u0142azy, ods\u0142aniaj\u0105c b\u0105d\u017a zasypuj\u0105c coraz to nowe <\/span>fragmenty terenu.<\/span><\/p>

\u00a0<\/p>

The main idea I worked with in my paintings was the dynamics of transformation and the clash of elements - both in the natural environment and in human relationships. This approach refers to the juxtaposition of the principles governing the microcosm and the macrocosm.<\/span><\/p><\/div>\n\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u2191<\/span><\/p>

Daydream (grounding) #06<\/b><\/p>

Daydream (grounding) #05<\/b><\/p>

\u00a0<\/p>

watercolor on paper, 50x70 cm, 2023<\/span><\/i><\/p>

\u00a0<\/p>

Two paintings related to the Podg\u00f3rna Waterfall in Przesieka (near the Karkonosze National Park). The waterfall is the result of erosion and tectonic movements; it is located in a valley with steep slopes. Thanks to the specific shape of the terrain and the phenomena occurring here, the water gradually cut through the bottom of the valley, exposing boulders of various shapes and sizes. The water from the two-stage waterfall collects in two rounded basins (erosion kettles) created by water vortices grinding the vast basins.<\/p>

\u00a0<\/p>

The concept is based on the clash of elements - water and rocks; rocks and trees, and as a result, the transformation of space. Inspired by the relationship between the microcosm and the macrocosm, the human body is compared here to the mechanisms occurring in nature.<\/p><\/div>\n\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u2191<\/span><\/p>

Daydream (grounding) #04<\/b><\/p>

Daydream (grounding) #03<\/b><\/p>

Daydream (grounding) #02<\/b><\/p>

\u00a0<\/p>

watercolor on paper, 50x70 cm, 2022-2023<\/span><\/i><\/p>

\u00a0<\/p>

Three paintings depicting the Pyramids in Wietrzychowice (Kujawsko-Pomorskie Province) - one of the oldest megalithic structures in Poland and Europe. The tombs were built about 5,500 years ago.<\/p>

\u00a0<\/p>

The key theme here is the relationship between man and matter - earth, stones - the basic building materials used since the dawn of time; and their deeper symbolism resulting from ancient cults based on the elements.<\/span><\/p><\/div>\n\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u2191 <\/span>Daydream (grounding) #01<\/b><\/p>

\u00a0<\/p>

watercolor on paper, 50x70 cm, 2021<\/span><\/i><\/p>

\u00a0<\/p>

A painting associated with the element of air.<\/span><\/p><\/div>\n\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\tBack to Works <\/span>\n\t\t\t\n\t\t\n\t\t\t<\/path><\/svg>\t\t\t\t\t<\/span>\n\t<\/span>\n\t<\/div>\n\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Sen na jawie (uziemienie) cykl obraz\u00f3w, akwarele na papierze oraz na papierze bawe\u0142nianym, r\u00f3\u017cne formaty – oko\u0142o: 55×75 cm, od 2021 roku do teraz; prace realizowane w oparciu o badania terenowe oraz kwerend\u0119 \u00a0 Punktem wyj\u015bcia dla realizacji jest potrzeba wielowymiarowego, cielesnego i uwa\u017cnego kontaktu ze \u015brodowiskiem naturalnym. W obrazach przedstawiam natur\u0119 jednocze\u015bnie jako realn\u0105 […]<\/p>","protected":false},"author":1,"featured_media":1158,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1116","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nDaydream (grounding) - Marta W\u0119gli\u0144ska - Research-based Nature Art<\/title>\n<meta name=\"description\" content=\"Watercolor series exploring dynamic human\u2013nature relations through fieldwork, archival research, and visual metaphors of ecological processes.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/martaweglinska.pl\/en\/sen-na-jawie-uziemienie\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Daydream (grounding) - 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