{"id":1348,"date":"2025-12-05T21:22:49","date_gmt":"2025-12-05T20:22:49","guid":{"rendered":"https:\/\/martaweglinska.pl\/?page_id=1348"},"modified":"2026-02-02T18:59:58","modified_gmt":"2026-02-02T17:59:58","slug":"research-based-practice","status":"publish","type":"page","link":"https:\/\/martaweglinska.pl\/en\/research-based-practice\/","title":{"rendered":"Research-Based Practice\u00a0"},"content":{"rendered":"
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\n\t\tResearch-Based Practice \t<\/h2>\n\t\t\t\t\t\t

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\u00b7 research-based art \u00b7 fieldwork-based practice \u00b7 environmental art \u00b7 <\/span>artistic research \u00b7 posthumanism \u00b7 environmental humanities \u00b7 <\/span>nature\u2013culture relations \u00b7 archives & field studies \u00b7<\/span><\/p>

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Nature as a subject of artistic research and practice<\/b><\/p>

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My work is based on research.<\/b> I conduct bibliographic and archival queries as well as field research -<\/span> observations of the relationships <\/b>within selected ecosystems and cultural ways of understanding and representing nature. I observe nature from<\/span> many perspectives - biology, geology, religion, mythology, tradition, philosophy, and culture.<\/b>I am interested in how artistic practice can function as a tool for ecological cognition - revealing the interdependencies between humans, landscape, and non-human forms of life.<\/span><\/p>

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Field research is the starting point and main inspiration for most of my work. Selected locations that are close to my heart become the subjects of paintings, photographs, drawings, and objects. In addition to the visual layer resulting from the specificity of a given ecosystem, I refer to the dynamics of change and the circulation of matter, as well as the mechanisms that occur in the formation of the terrain (geomorphology).<\/span><\/p>

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Water, rocks, soil, and vegetation are the subject of my work, not the background. I present nature as active, causative, and reality-creating. Although the human figure appears in selected works, it is always treated as part of the landscape. Man immerses himself in his surroundings, intertwining seamlessly with vegetation, subject to the same mechanisms that shape the terrain.<\/span><\/p><\/div>\n\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\tField research on ecosystems and landscape forms\t\t\t<\/h5>\n\t\t\t\t\t

My field research includes observations conducted in protected and environmentally valuable areas of Poland and Indonesia, with particular emphasis on the oldest <\/span>forest ecosystems<\/b> (including monumental trees), <\/span>wetlands, springs, rivers<\/b> (with natural riverbeds),<\/span> trough lakes<\/b> and<\/span> mountain landscapes<\/b> (including mountain pastures), and <\/span>karst landscapes<\/b> (rocks and karst formations, caves, xerothermic grasslands). For my research, I usually choose natural and cultural landscapes (related to pastoral activities) and locations distinguished by varied terrain. I am fascinated by lichens, bryophytes, ferns, carnivorous plants, and rock vegetation, among other things.\u00a0<\/span><\/p>

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I most often work in the Krak\u00f3w-Cz\u0119stochowa Upland, the Beskids Mountains, and the Greater Poland region. In addition to Poland, my current research area also includes Indonesia, with which I have been associated since 2016 (annual scholarship from the Indonesian government Darmasiswa 2016\/2017, as well as artist residencies and exhibitions in Java). Most of my field research was conducted in the vicinity of Yogyakarta and Cirebon, searching for, among other things, the oldest trees (especially those connected to springs) and landscapes shaped by volcanic activity. <\/span><\/p><\/div>\n\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\tCultural studies on the perception and representation of nature\t\t\t<\/h5>\n\t\t\t\t\t

At the same time, I am conducting library and archival research on cultural ways of understanding and representing nature. I am investigating <\/span>how different cultures perceive, interpret, symbolize, and represent nature<\/b> - that is <\/span>how people give meaning to nature<\/span><\/i>. The focus of my fascination is the fully sensual, physical, and spiritual relationship between humans and nature. I am interested in ancient beliefs, rituals, traditions, and ceremonies related to nature - referring to the elements, plants, animals, and the cosmos. Depending on the project, I work with ways of representing nature in ancient literature, traditional dance, the presence of natural materials in ancient crafts, or the use of stone and earth in megalithic and ancient constructions. I often refer to the idea of microcosm and macrocosm present in ancient beliefs.\u00a0<\/span><\/p>

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I am interested in how symbolic systems and ritual practices shape the way human communities perceive and co-create the natural environment.<\/span><\/p><\/div>\n\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\tTransdisciplinary research method\t\t\t<\/h5>\n\t\t\t\t\t

By combining empirical observations with reflection on culture, I treat research as a transdisciplinary process<\/b> - combining methods drawn from the natural sciences, earth and environmental sciences, and the humanities with artistic practices. I do not seek to produce knowledge - scientific content - but rather to deepen our understanding of the relationship between humans and nature through experience, presence, and creative reinterpretations of diverse data.<\/span><\/p>

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As a result, my artistic activities are an attempt to create alternative models of environmental cognition - ones that take into account not only observation, but also intuition, imagination, and mindfulness as legitimate forms of contact with nature.<\/span><\/p>

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Theoretical contexts and discourses<\/b><\/p>

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My work can be interpreted in the context of:<\/span> deep ecology,<\/b> posthumanism <\/b>(decentralization of humans, emphasis on interdependence, departure from hierarchical thinking about nature),<\/span>relational philosophy<\/b>, <\/span>material studies and material ecocriticism<\/b> (the importance of matter and its own agency in the analysis of culture, literature, and the environment; living beings and non-human processes influence the world and have their own meanings); <\/span>environmental humanities \/ environmental storytelling<\/b> (art as a form of constructing new narratives about the environment); <\/span>geoaesthetics \/ geopoetics<\/b> (the aesthetics of the earth, geological processes, landscape, and time); <\/span>hydro-feminism \/ hydro-poetics <\/b>(water as a medium of connections, memory, relationships, and corporeality); and <\/span>slow art.<\/b><\/p><\/div>\n\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\tTopics and areas of field research\t<\/h2>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u2192 Mountains \u2192 pastoralism, overgrowth, coexistence<\/span><\/p>

\u2192 Forests \u2192 networks of relationships, mycelium, longevity<\/span><\/p>

\u2192 Water \u2192 erosion, circulation, shaping force<\/span><\/p>

\u2192 Jurassic landscapes \u2192 geomorphology, rock, time<\/span><\/p>

\u2192 Postglacial landscape \u2192 memory of matter, deep time<\/span><\/p>

\u2192 Environment of Indonesia \u2192 trees, water, volcano, cosmology<\/span><\/p>

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Mountain areas \/ pastoral landscapes<\/b><\/h5>

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Landscapes co-created by humans and nature, existing thanks to long-term relationships and practices.<\/span><\/i><\/p>

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\u00b7 mountain landscapes \u00b7 ancient Carpathian forest \u00b7 mountain biodiversity \u00b7 coexistence of humans and the environment \u00b7 pastoral pastures \u00b7 pastoral culture \u00b7 semi-natural landscape \u00b7 grazing as an ecological factor \u00b7 landscape memory \u00b7 overgrowth of pastures \u00b7 ecological succession \u00b7 disappearance of traditional practices \u00b7<\/b><\/p>

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Locations (PL): \u017bywiec Landscape Park, Silesian Beskids Landscape Park, Little Beskids Landscape Park, Tatra National Park, Karkonosze National Park, Poprad Landscape Park, Babia G\u00f3ra National Park, Pieniny National Park<\/span><\/p><\/div>\n\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Landscapes formed by deep geological time and slow erosion processes.<\/span><\/i><\/p>

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\u00b7 geomorphology \u00b7 limestone \u00b7 remnants of the Tethys Ocean \u00b7 deep time \u00b7 erosion \u00b7 material cycle \u00b7 karst forms \u00b7 geological time \u00b7 caves \u00b7 xerothermic grasslands \u00b7 rock vegetation \u00b7<\/b><\/p>

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Locations (PL): Eagles' Nests Landscape Park, protected areas around Chrzan\u00f3w, Krakow Valleys Landscape Park<\/p><\/div>\n\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Aquatic ecosystems<\/b><\/h5>

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Water as a driving force \u2013 shaping the landscape, memory, and relationships.<\/span><\/i><\/p>

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\u00b7 rivers with natural beds \u00b7 springs \u00b7 wetlands \u00b7 trough lakes \u00b7 water erosion \u00b7 matter circulation \u00b7 retention \u00b7 geomorphology \u00b7 water as a medium of relationships \u00b7 hydro-poetics \u00b7<\/b><\/p>

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Locations (PL): Sierakowski Landscape Park, Drawski Landscape Park, Drawie\u0144ski National Park, nature reserves in the Pila district, Rogali\u0144ski Landscape Park, nature reserves around Lake Lubiatowko<\/p><\/div>\n\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Postglacial landscapes<\/b><\/h5>

\u00a0<\/p>

Landscape as an archive of deep time.<\/span><\/i><\/p>

\u00a0<\/p>

\u00b7 ice sheet heritage \u00b7 terrain \u00b7 V-shaped valleys \u00b7 trough lakes \u00b7 landscape as a record of geological processes \u00b7 materiality of the earth \u00b7 archive of eras \u00b7<\/b><\/p>

\u00a0<\/p>

Locations (PL): Drawski Landscape Park, Drawie\u0144ski National Park, nature reserves around Lake Lubiatowko, Promno Landscape Park, Zielona Gora Nature Reserve (Pila District)<\/p><\/div>\n\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Forests and the oldest trees<\/b><\/h5>

\u00a0<\/p>

The forest as a network of interdependent entities and processes.<\/span><\/i><\/p>

\u00a0<\/p>

\u00b7 the oldest forest ecosystems \u00b7 monumental trees \u00b7 the forest as a network of relationships \u00b7 symbiosis \u00b7 mycelium \u00b7 interspecies communication \u00b7 mosses \u00b7 lichens \u00b7 ferns \u00b7 the ecosystem as a whole \u00b7 circulation of matter \u00b7<\/b><\/p>

\u00a0<\/p>

Locations (PL): \u015arubita Nature Reserve, protected areas around Chrzan\u00f3w, Rogali\u0144ski Landscape Park, Puszcza Knyszy\u0144ska Landscape Park, Popradzki Landscape Park<\/p>

\u00a0<\/h5><\/div>\n\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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The environment of Indonesia<\/strong><\/h5>

\u00a0<\/p>

Landscapes shaped by volcanism, water, and living cosmologies.<\/span><\/i><\/p>

\u00a0<\/p>

\u00b7 oldest trees \u00b7 trees protecting water resources \u00b7 tree worship \u00b7 animistic beliefs \u00b7 sacredness of the landscape \u00b7 local cosmologies \u00b7 volcanism \u00b7 volcanic landscape \u00b7 elements \u00b7 spiritual relationships with the landscape \u00b7<\/b><\/p>

\u00a0<\/p>

Locations (IDN): Java Island (near the cities of Yogyakarta, Cirebon, and Bogor), Lombok Island, eastern part of Borneo Island, central part of Bali Island<\/p>

\u00a0<\/h5><\/div>\n\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Research-Based Practice \u00a0 \u00b7 research-based art \u00b7 fieldwork-based practice \u00b7 environmental art \u00b7 artistic research \u00b7 posthumanism \u00b7 environmental humanities \u00b7 nature\u2013culture relations \u00b7 archives & field studies \u00b7 \u00a0 Natura jako podmiot bada\u0144 i dzia\u0142a\u0144 artystycznych \u00a0 Moja tw\u00f3rczo\u015b\u0107 opiera si\u0119 na pracach badawczych. Prowadz\u0119 kwerend\u0119 bibliograficzn\u0105 i archiwaln\u0105 oraz badania terenowe – obserwacje […]<\/p>","protected":false},"author":1,"featured_media":1373,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1348","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nResearch-Based Art Practice - Marta W\u0119gli\u0144ska<\/title>\n<meta name=\"description\" content=\"Research-based art practice grounded in long-term fieldwork, artistic research and environmental humanities, exploring nature-culture relations and landscapes.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/martaweglinska.pl\/en\/research-based-practice\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Research-Based Art Practice - 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